Could be an 8 (A-), but no copies available for reasonable prices anyway, so not sweating the distinction. #bestof
Before 11/2020, grades range from 5 to 3.5 stars. After that, grade range is: 10 (A+), 9.5 (high A), 9 (A), 8.5 (high A-), 8 (A-), 7.5 (high B+), and 7 (B+). Ungraded albums are noted as liked :-) (honorable mention), neutral :-|, and disliked :-(. At least 4 listens per graded album and 3 listens per ungraded album. Search "Grade Post" for more info. I sold/shelved ~10,000 albums after at least 3 or 4 listens, respectively, before starting this blog and will add entries for those as they arise.
Monday, June 29, 2026
Sunday, June 28, 2026
Saturday, June 27, 2026
Tuesday, June 23, 2026
Sunday, June 21, 2026
Schoolly D - Adventures of Schoolly D [Rykodisc, 1987]: 7 (B+)
Christgau seems to incorrectly list this as The Further Adventures of Schoolly-D (ie, adding “The Further”). This combines the self-titled debut and the original seven-track version of the follow-up Saturday Night! - The Album [Schoolly-D, 1986] (with “We Get Paid” appearing to be re-titled as “Get 'n' Paid” -- AI says these are different songs, but I’m not going to bother trying to verify that). I give the debut an 8 (A-) and the follow-up a 7 (B+). So this hits in the middle, and gets docked a notch because it goes on for just too long and is less than the sum of its parts. Not the way to hear this artist. Early CD-era move. Reminds me of that Mission of Burma release. #bestof
Graham Parker - Struck by Lightning [RCA, 1991]: 7 (B+)
I have a long and complicated history with this release. It came out during the time that I was really discovering the true, vast depth of rock music. I liked the album, but some critics, who had opened me up to, and were helping me navigate, these overwhelming depths did not share my appreciation, and I let them sway me and sold it off. Now I will re-collect it, even though, at this grade, at this point in time, I might try to otherwise categorize it as #pubrock or something and skip it. Add to these considerations that, while I'm not a GP completist, I'm an outright fan, probably more so than with respect to any pub rocker I can think of.
I note that the vinyl issues of this in the UK were accompanied by a bonus 12-inch EP, which contains songs appearing on the CD that could not fit on the otherwise single-disc vinyl. There are also two extra tracks on the EP, one of which appears on the Passion Is No Ordinary Word compilation, about which I will post separately.
Lee "Scratch" Perry - Dub Fire: neutral
Not sure why this got **** in the new Rolling Stone album guide, but that’s why I played it three times.
Nurse With Wound - Soliloquy for Lilith: liked
Even if I wanted to up this a notch for mere historicity, which I don’t, it would be #experimental/drone. And even if I wanted to up it three notches, which I really don’t, it would be too expensive, although if the two-CD version were selling for anything approaching a reasonable price, I might be tempted to pick it up as a novelty/collector’s item. In fact, as it is, I have probably already upped it a notch for one thing or another. Try The Disintegration Loops instead.
Saturday, June 20, 2026
Two Nice Girls - Like a Version [EP]: 7.5 (high B+)
Can't even find a decent cover image to purloin. I owned this once but think I sold it off. I kind of wish I hadn't, even though it's #indiepop/covers, because it feels a little like a collector's item at this point. And it came out in the same year as Slay Tracks, although this one did get a CD release. Good year for EPs, as I remember.
Robert Johnson - King of the Delta Blues [Columbia/Legacy, 1997]: X (X)
Not qualified to grade, but obviously essential. This is the single-disc, 16-track distillation. Beautiful, budget release. Never went for that famous but ridiculous 1990 box set that repeats songs after themselves. Who wants to hear things like that? Or "program" a CD? So stupid and useless. It won all kinds of awards though.
Katie Alice Greer - "Fly" by the Dixie Chicks: liked
Might be a 7 (B+), but no physicals anyway. Very lo-fi. And yes, I'm an aging perv and I want her. She's pushing 40 now anyway.
Bill Scorzari - Sidereal Days (Day 1): 7.5 (high B+)
Might be an 8 (A-), but #artisanal anyway. A few too many overlong songs. Should definitely have been edited down to 40 minutes -- with this kind of raspy, idiosyncratic delivery, and sometimes heavy subject matter, it just lasts too long.
Eddy Current Suppression Ring - Primary Colours: 7 (B+)
De-shelved. Update (June 2026): Rescued from de-shelve box and upped a notch, upon realizing that this and the self-titled debut are two birds of a feather.
Friday, June 19, 2026
Mott the Hoople - Backsliding Fearlessly: The Early Years [Rhino, 1994]: 8.5 (high A-)
Excellent collection of tracks from the pre-Columbia years (which started with All the Young Dudes in 1972). In other words, great tracks drawn mostly from their four initial studio albums for Island/Atlantic. Absolutely essential for any kind of fan of the band (other than fanatics who would have those four albums anyway). The period is mostly ignored on the Retrospective compilation.
Jeffrey Lewis & the Junkyard - 'Em Are I: 8.5 (high A-)
His best in my view. Makes me wish I had an 8.75. I could round up, but I reserve 9 (A) for albums that, at least for a time, I don't want to stop playing.
Monday, June 8, 2026
Sunday, June 7, 2026
The Undertones - Teenage Kicks [EP]: 8 (A-)
All tracks are on my version of the debut, but I wanted to listen to it as an EP to see how it hit me, given its importance in punk history. I would buy a copy just for that, but copies are too expensive.
The Replacements - Boink: notation
Contains cuts from Hootenanny and Stink, plus two songs that I did play three times -- "If Only You Were Lonely" and "Nowhere Is My Home."
DNA - DNA on DNA: 8.5 (high A-)
This includes their seminal EP from 1981, A Taste of DNA, plus I believe everything else they ever recorded. The great Arto Lindsay on guitar.
Buzzcocks - Love Bites/Another Music in a Different Kitchen: 8 (A-)
This is the twofer I have. Grade applies to both albums. Not really the ideal way to hear these (too much at once), but this is what I have.
Monday, June 1, 2026
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